Music

OUT NOW SAVED 097: Burnski – “Lost In The Zoo”

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Saved’s latest offering is a single from Berlin based artist Burnski.
Appearing for the first time on the label earlier in the year with his incredible take on Harvey McKay’s “The Fall”, the talented producer delivers “Lost In The Zoo”.

The track is a real house bomb with a jackin’ disco feel, set across an evolving
bass line and flourishing voices. Over on the flip is a remix from dynamic duo, The Martinez Bros.
Using the original elements and adding their own unique production including an equally addictive bass line and trippy elements, they create a first rate remix that seals the package off perfectly.

Saved 095 – Italoboyz – ‘Hi-Fi’ out now

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Saved’s next release is a single from label debutants the Italoboyz who present “Hi Fi”.

Built on punchy kicks and a pulsating bass line, the track is peppered with chopper effects, stand out vocals and rising synths that combine to cause maximum dance floor destruction. Federico Molinari provides an intelligent remix which instantly pulls the listener in with it’s hurdling bass line and FX. Accelerated congas layer the mix and the vocals are processed through big ambient delays to great effect.

Saved 094 – Harvey McKay – ‘The Fall’ out now

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Harvey McKay returns to Saved since 2011′s popular “Show Face”. This time round he presents “The Fall”, a bass pounding, intense recording which is supported by percolating foundations.  As the record develops,  the elements build together and following a stripped back drop, recoils to great effect.

The release is completed with a remix from on fire producer Burnski.Here he uses the original parts and adds his own style to create a tight remix that has a unique cadency and a hooking bass-line. Available from February 11th

Out now Saved 093 – Julian Chaptal – ‘Illin EP’

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Saved’s second release for 2013 comes from label debutant Julien Chaptal who presents the 2 track “Illin EP”

Fist up on the A side is “Eat Ya Foe”, a track which is built on unique percussion that  possesses a warm bit crush effect. These foundations support the bouncing bassline which has an acid feel to it that works well against the potent vocals.

Further damage is caused on the flip with “Illin” where the rolling drums build  nicely into the engaging lead line that advances through the track with filters and variations.